In the last couple of weeks, we’ve been talking about different ways to make a fine and flexible.
We started by using only Merino wool. In the next sample we worked with Merino wool mixed with viscose fiber. And today I’m going to make a sample that’s going to be useful to compare with the one we did last week, the one with viscose.
What I’m going to do is I’ll be using the same template, 4 g of Merino wool, plus a piece of chiffon silk.
We’ll start by felting the sample and, when it’s ready, we’ll see how it compares to the previous two.
Make sure you stay until the end to be able to see the differences between the 3 samples. And, if you haven’t yet, go and watch the previous videos:
This was a very complete series, and we’ve covered not only how to make a fine and flexible felt, but also how...
In the last video, we had a look at how we can create a fine and flexible felt using only Merino wool. And today we’re going to see what happens when we add viscose fiber to our fine Merino.
For our experiment to make sense, we’re going to use the same 30cm x 30cm template and we’re also going to use 6g of fiber.
If you can remember, in the last video we used 6g of Merino to create our sample. And what we’re going to do today is use 6g of fiber again, but we’re going to have 4g of wool and 2g of viscose. Ok?
If you’d like to do this sample with me, get your materials, and just follow the instructions in the video.
Be sure to check out the differences between the two samples: the one made with only Merino, and the one where I added the viscose.
And if you’re not very familiar with the type of layout I use in this video (chevron layout), you can download a PDF with all the details about all the main layouts used in wet felting here.
I’ll...
So you had a look at the program, and now you’re thinking “Yes, one technique a month. But what do we really felt inside THE DODO HUB?”
I get that it may not be totally clear to you, so let me help you with that.
First, above there's a short video of some of the beautiful pieces made by the participants in the first months of THE DODO HUB to show you what you’ll be working on.
I want you to feel supported and that you’re in the right place, no matter where you are on your felting journey. So, THE DODO HUB adapts to the students and not the other way around.
Let me show you how, based on the example of module #1, Geometric Patterns. It’s planned like this:
You can approach this module (or any other module) any way you want:
If you’ve been waiting to enroll in THE DODO HUB, I’ve got good news! The registration is open as of now.
Are you new to the DODO world, and not sure what THE DODO HUB is?
But there’s much more to THE DODO HUB. Have a look at this page to get all the details. And, as always, I’m here to answer any questions you may have. Just send me an email and let me know how I can help.
Last week we spoke about a couple of misconceptions and some tips to avoid making your felt too stiff. If you haven’t read that blog post, I recommend you start there, since it’s part of a video series I’m recording for you on this topic.
And if you’re stuck in your felting journey and don’t know what to do next, I’ve created a guide to help you. You can download it here.
Today we’re going to see how we can apply last week’s tips in a practical way. So, we’ll be making a piece of flat felt. In other words, a sample.
So, get some merino wool and let’s do this. All you need to do is follow the instructions in the video.
Enjoy!
P.S.: Make sure you come back next week, since we’ll go on diving deep into this topic.
Have you ever had your felt become too stiff? Have you wondered why that happens? Have you tried making it thinner, but ended up with a lot of holes? These are common issues that many felt makers face. Let’s have a look at how to solve that, so that you never have to waste all those beautiful materials again.
I find there are many misconceptions about how to avoid making your felt too stiff. So, to start, I want to have a look at some of the most common ones.
Misconception #1 – There’s a certain number of layers I have to use for a particular item
You see, the thing is that it’s not about the layers. Please don’t ask how many layers are needed for a piece! Someone else’s layers may be much thicker or thinner than yours. So, what you need to know is how much wool to use. You don’t believe me? Then, try this:
Have you ever felted a vessel, a bag or another 3D item and found that you couldn’t get rid of the seams on the sides? Did you wonder why it happened? Did you think that those seams could have been prevented by filling the piece with a balloon or any other object?
If that’s the case, know that the issues started way before the final shaping and drying phase. And so, no filling the piece in the end would have made it flat.
Today I bring you 7 tips that can help!
Once you have those pesky side ridges on your 3D felt, it’s very difficult to get rid of them. Sure, rubbing the seam area can help, but the problem happens in the layout phase, as well as the initial phase of the felting process. So, rubbing won’t completely solve the problem. Let’s have a look at was does help.
IN THE LAYOUT PHASE
There are two things to watch for during the layout phase:
1. The layout on the edge
From my point of view, there are 2 ways you can do the layout on...
I’m working on a new class that is meant to help felt makers go all the way (smoothly) from total beginner to intermediate. If you’ve recently started wet felting or you’ve been felting for a while, but still feel like there are many gaps in your knowledge, this may be for you.
But I’ll need some time until I can offer it, since I haven’t created it yet. I’m working on the class outline for now. And I’d like to invite you to participate in the creation of the class materials. Just click here or on the image below to access the list of topics. Please let me know which ones are important to you and what you think may still be missing.
Just a last note: I’m considering an intermediate felter, someone who knows all the fundamentals, and is able to confidently felt on a resist, knows how to add fiber, fabric and other materials for embellishment and texture. All this while achieving high quality felt.
Thank you for taking a moment to...
After you’ve learnt the basics of wet felting – how to make flat felt and how to make a simple shape with a resist – it’s tempting to think that all you need to learn next is which shape a resist must have or which technique to use for a particular project. I’d argue that, before you think (or even while you're thinking) about those aspects, the next thing to do is master the layout.
In fact, I can say with total certainty that the moment I understood this and started working on my layout, was the moment my felt massively improved. I know I run the risk of being annoying for insisting on this. But I would love to support you in becoming a better felt maker, so I accept that risk.
There are two ways you can work on your layout. You can either spend some time making samples or just go ahead and work on your technique while making a piece. I know most felt makers avoid sampling, but I still think it’s the best way to perfect your work, and save time...
Have you just recently discovered wet felting, and don’t know where to start? I’ve put together a list of resources for you to help you know what to learn next.
START BY MASTERING THE BASIC WET FELTING SHAPES
When people approach me about learning to wet felt, they often tell me they’d like to make scarves and garments, so they’re particularly interested in nuno felting.
But to get to nuno felting and other more demanding techniques, you need to be confident with the basics first.
So, here are the simplest instructions for the 3 basic shapes, whether you would like to work with wool batts or with wool tops.
And here are a couple of additional tips that can help you perfect your technique:
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