The Dodo Blog

So you had a look at the program, and now you’re thinking “Yes, one technique a month. But what do we really felt inside THE DODO HUB?”

I get that it may not be totally clear to you, so let me help you with that.

First, above there's a short video of some of the beautiful pieces made by the participants in the first months of THE DODO HUB to show you what you’ll be working on.

I want you to feel supported and that you’re in the right place, no matter where you are on your felting journey. So, THE DODO HUB adapts to the students and not the other way around.

Let me show you how, based on the example of module #1, Geometric Patterns. It’s planned like this:

• Week 1: Making samples (experiment with different techniques)
• Week 2: Making a bag (applying the techniques in 3D)
• Week 3: Making a rug (in Nomad technique)
• Week 4: Main takeaways + develop your own project

You can approach this module (or any other module) any way you want:

• Follow the suggested sequence in one month o
...

When we start wet felting, there is so much to learn about the many techniques that fit under this wider umbrella, that this alone can be enough for felt makers to focus on, without ever taking a deep dive into the attributes of the fibers from different sheep breeds.

So, often it’s people who have sheep or who live in rural areas, who – early in the process – start looking at how to use the wool of local breeds in their felting, as a way to take advantage of what’s available in their closest environment.

For those of us who live in cities, it’s impractical (or even unthinkable) to buy raw wool, clean it in the bathtub, and do all the processing in an apartment. So, we resort to buying processed wool from suppliers, and so are restricted to the available breeds.

Like me, you may very well be in this second group of felt makers. And, if you are – like me – you probably haven’t spent much time looking at the incredible number of different wool types that are available throughout the w...

I’m working on a new class that is meant to help felt makers go all the way (smoothly) from total beginner to intermediate. If you’ve recently started wet felting or you’ve been felting for a while, but still feel like there are many gaps in your knowledge, this may be for you.

But I’ll need some time until I can offer it, since I haven’t created it yet. I’m working on the class outline for now. And I’d like to invite you to participate in the creation of the class materials. Just click here or on the image below to access the list of topics. Please let me know which ones are important to you and what you think may still be missing.

Just a last note: I’m considering an intermediate felter, someone who knows all the fundamentals, and is able to confidently felt on a resist, knows how to add fiber, fabric and other materials for embellishment and texture. All this while achieving high quality felt.

Thank you for taking a moment to answer the questions! To show you my appreciation for ...

In 20 years of felt making I haven’t (yet!) had any issues with moths. It may just have been luck or because of the way I store my wool. It’s definitely not because I don’t have tons of wool in my studio 😊

Since I frequently get questions about how I store my wool, as well as how to prevent moth attacks, I’ve compiled what I know and what I could find from different sources to offer you information that hopefully can protect your stash from these pesky little fiber predators.

A SHORT WORD ON THE LITTLE CREATURES

There are many types of moths, and most of them are harmless for wool. So, as most felt makers know, we’re talking about the so called “clothes moths” here.

Moths go through four life stages: egg, larva, pupa, and adult. But it’s only in the larvae stage that they feed on fiber.

Keratin is what they’re after. This is a protein found in animal-based materials like wool, fur, hair, feathers, mohair, and even silk. If these materials are stained with food, perspiration, or...

A couple of weeks ago I got a sweet email from Jet van Grinsven, a felter from the Netherlands, thanking me for the inspiring blog and info, as well as asking me a question.

Jet is building a new home and wants to create a wall hanging, but isn’t sure if she should be using a stronger background as a base for the felted structure. Jet had been advised to use cheese cloth, but wasn’t certain if that was the best option. So, she wanted to know if I could give her some tips on that.

If making a felted wall hanging is something you’re thinking about, maybe you can take advantage of the tips I gave Jet, so here they are.

“You don't necessarily need to use a background as a base for your wall covering. It will depend a lot on what you're planning to felt. 

I'd say the first thing to think about is how thick you'll make the piece. For example, here is a photo of a wall decoration I made some time ago. It's very light, so it doesn't need any particular background because the piece isn...

Coming to you from a locked down Lisbon. Can’t lie. Not feeling great. And I’m guessing you may not be feeling great either.

But it’s time to… I nearly said ‘react’. Instead, it’s time to act. I’ve started going for a jog in the morning again. And I’m slowly getting back to a routine, as normal as possible.

Meanwhile, I’ve been working on something that I promised you a long time ago: the Wet Felted Hats Masterclass. It’s ready and I’m now testing all the connections and technical stuff that must be in place to make things work smoothly. If you haven’t had the chance to see what it’s about, here’s the link to check it out.

If all the tests I’m doing go well (and I’m expecting they do), it’ll be available for you to buy from January 30^th (next Saturday) to February 5^th. The course will then be accessible from February 6^th and will go on for 5 weeks, during which I’ll be releasing one module per week.

But let me tell you more about this OFFER, since it’s the first time I’m doing...

Sharing tips, ideas, and experiences from felters who write me emails telling me about their felting projects has been on my mind for a long time.

It's so rewarding to hear from you, whether it's about something you created based on one of my tutorials or just to chat about felt. And I'm always thinking "Wouldn't it be great to have a space where we could all talk to each other".

Finding a way to exchange experiences about the things we love is becoming more important every day, especially in these times we're living. So, I'm looking for the best solution for that. But, in the meantime, I'd just love to encourage you to email me things you’d like to share.

Today I'll be doing exactly that: sharing great information I got as an answer to one of my recent posts.

A couple of weeks ago, I wrote a post about how to choose your felting suppliers. And I ended the post asking you to send me any recommendations you might have, if you've had a good experience with any shop.

Well, I got an a...

I’m often asked who I recommend in terms of suppliers for felting materials.

My first recommendation would always be to find a good one near you, a brick and mortar store, where you can see and touch the wool before you buy.

But, not all of us have good felting suppliers around the corner. In fact, depending on where you live, it’s often difficult to find a local shop that carries the big diversity of materials you need for more sophisticated felting projects.

So, most of the times, we have to resort to online stores.

Even for online suppliers, I’d still recommend finding one as close to home as possible. That’ll mean less money spent on shipping, and it’s also better for the environment.

Next, I’d look into the variety they offer and how dependable they are when you need advice on the best wool for a particular project.

Another important factor is the shipping time. If you need materials for a project you want to finish soon, waiting a long time until the wool arrives on your do...

I’m not the kind of person that buys all types of equipment when I start a hobby. Even though I’ve been felting for 15 years, there’s still so much I haven’t bought, and I probably never will. And much of the equipment I have invested in, have been purchases I’ve made in the last 3 or 4 years.

I know it’s easy to get excited about all the products for felting offered online, but you really don’t need much to wet felt. When I started, I really only had the basics. First, I didn’t want to spend money on something I wasn’t sure I’d be doing for a long time. And also, because I think the magic of felting is exactly the fact that – unlike in so many other textile techniques – you nearly only need your bare hands and wool to create an object.

But, since it was quickly clear to me that I’d go on felting for a very long time, I’ve slowly started getting equipment that makes my life easier, makes me work faster and with less physical effort, and gives my pieces more precision and quality. Of ...

Are you going crazy with the ‘what is what’ in terms of the wool for felting?

I do my best to avoid insider lingo, but the truth is there’s no escaping. You’ll just have to learn a couple of new terms when it comes to this. Otherwise you risk not getting the right materials for your projects. So here is some of the terminology you’re bound to hear if you’re taking on felting:

Raw fleece is what you call the wool when it’s right off the animal and unwashed (that means dirty and greasy). This is not something you can normally get, unless you buy directly from a sheep farm.

Scoured fleece has been washed to remove lanolin and dirt, but it still has the lock structure. I use it to fill pillows or for doll’s hair, for example.

Wool batts, wool batting or carded wool is very similar to quilt batting. It’s the result of removing the debris from the wool with a machine that breaks up the lock structure, and then going through the carding machine. The carder brushes and blends the fibers ...