I’m working on a new class that is meant to help felt makers go all the way (smoothly) from total beginner to intermediate. If you’ve recently started wet felting or you’ve been felting for a while, but still feel like there are many gaps in your knowledge, this may be for you.
But I’ll need some time until I can offer it, since I haven’t created it yet. I’m working on the class outline for now. And I’d like to invite you to participate in the creation of the class materials. Just click here or on the image below to access the list of topics. Please let me know which ones are important to you and what you think may still be missing.
Just a last note: I’m considering an intermediate felter, someone who knows all the fundamentals, and is able to confidently felt on a resist, knows how to add fiber, fabric and other materials for embellishment and texture. All this while achieving high quality felt.
Thank you for taking a moment to...
After you’ve learnt the basics of wet felting – how to make flat felt and how to make a simple shape with a resist – it’s tempting to think that all you need to learn next is which shape a resist must have or which technique to use for a particular project. I’d argue that, before you think (or even while you're thinking) about those aspects, the next thing to do is master the layout.
In fact, I can say with total certainty that the moment I understood this and started working on my layout, was the moment my felt massively improved. I know I run the risk of being annoying for insisting on this. But I would love to support you in becoming a better felt maker, so I accept that risk.
There are two ways you can work on your layout. You can either spend some time making samples or just go ahead and work on your technique while making a piece. I know most felt makers avoid sampling, but I still think it’s the best way to perfect your work, and save time...
We know that the amount of shrinkage in wet felting depends on many variables. Among the most important are:
So, the only way to know what your results will be is to make samples before beginning a project, unless you always work with the same wool type, so you get to know very well how it behaves.
After you’ve...
A good wool layout is essential for many reasons. It’ll give your work stability, and it’ll guarantee your felt is even. It’s also the secret to a fine drapable piece with a beautiful finishing.
Here’s a video showing you exactly how to create the perfect layout. If you don’t feel confident with this part of felting yet, why not spend some time just making samples to practice.
You don’t have to waste any wool with this exercise. You could just pre-felt the samples and use these pieces of pre-felt for future projects.
I’m really excited about this week’s topic because I find there aren’t many wet felters exploring it. And that’s the usage of batts for wet felting.
Batts are more commonly used in needle felting, but they’re definetely worth exploring in wet felting too.
When applied right, batts can:
Also, if you're open to wet felting with batts as well as tops, you'll have a wider choice in colors, since often suppliers have a different color palett for batts and tops. And, in my experience, they produce a felt that is a bit different from the one made with tops: less shiny but smoother.
These are 3 new lessons about 3 different ways to lay wool batts, when to use them, as well as the advantages of working with them.
So, if this is something that sparks interest for you, you can access this week’s lessons by signing up for the ...
Yes! That's right. I've been working on a free felting membership and it's now available for you to enjoy :)
You see, I’ve been blogging and vlogging about wet felting for over a decade. And what I’ve noticed is that in those formats, it’s easy to lose track of what I’ve already covered since the information is scattered everywhere.
I also wanted a place where you could ask me questions in a way that other felters could also benefit from the answers. So, after considering the pros and cons of the different platforms, I decided this would be the best way to have everything under the same roof.
It's called The Dodo Sandbox because it's a place for you to play, experiment and grow your felting skills :)
The membership area is divided into the “core training” and different chapters or modules, each dedicated to a different topic. When you enter the members’ area, that’s exactly what you see.
Of course, I’ll be creating new...
Last week I did a short introduction to nuno felting, on how to choose the right materials and a couple of other tips to help you start experimenting with the technique.
Today, I’d like to show you some examples of samples I made before I decided to felt a bigger piece, what materials I chose for them and what went right/wrong.
I’d like to start with the samples where the wool covered the whole fabric surface, just because I find it an easier way to start than just applying stripes, dots or any kind of other motives on the fabric, since the smaller the area that the wool covers, the more difficult it is to make it attach properly to the woven surface.
Sample 1 – This is probably the easiest of them all to get good results. I used an extra-fine green merino and a white cheese cloth for this. Since this type of cloth has a very open weave, the fine merino fibers have no problem attaching to it. I find it produces a very interesting surface, that could look great on a...
Hi there!
I´ve often been asked how do you make a sample to determine the shrinkage factor in wet felting. Well, that’s exactly what I’ll be covering in today’s video.
It’s actually very easy. You should make a sample, and measure it before and after felting.
There are three fundamental factors to take into account though:
Check out the video and let me know if I’ve covered all your questions!
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